Hello readers, I'm writing this blog as a thinking activity given by Dr. Dilip Barad sir, Head of the Department of English, MKBU. Here, I'll discuss postcolonial studies and two articles, 1) Conclusion: Globalization and the Future of Postcolonial Studies and 2) Conclusion: The Future of Postcolonial Studies with some examples.
What is Postcolonial studies:
Postcolonial Studies is all about exploring what happens in a country or region after it gained independence from a colonising or ruling power. It's like studying the story of how people in that place cope, change, and create their own identity and culture once they're no longer under someone else's control. It helps us see the big picture of how history shapes a country's future.
Article 1: CONCLUSION: GLOBALIZATION AND THE FUTURE OF POSTCOLONIAL STUDIES:
In this article, titled "Conclusion: Globalization and the Future of Postcolonial Studies," the primary focus is on the evolving landscape of postcolonial studies in the era of globalisation. The article commences by acknowledging the significant global events, particularly the 9/11 attacks and the subsequent global war on terror, which have left an indelible mark on the world. These events have challenged the conventional perception of the postcolonial world and raised questions about the continued relevance of the term "postcolonial."
The central argument of this article revolves around the transformative impact of globalisation on postcolonial studies. It posits that globalization has rendered traditional postcolonial concepts insufficient in understanding the intricacies of the Contemporary world . The once-clear distinctions between margins and centres, which were fundamental to postcolonial studies, have become increasingly blurred. Globalisation has given rise to a complex web of transnational networks, regional and international flows, and the erosion of traditional geographic and cultural boundaries. This shift has fundamentally altered the dynamics of power, culture, and identity, challenging scholars to adapt to this new global reality.
Furthermore, the article delves into the notion of hybrid identities , flexible hierarchies, and plural exchanges facilitated by globalisation's networks of command. It suggests that these changes necessitate a reevaluation of traditional postcolonial narratives, which often focused on Colonial powers and their colonies. Instead, this new globalised world presents a more nuanced view of the interconnections and complexities inherent in contemporary society.
The movies offer cinematic examples of how postcolonial studies can intersect with contemporary global events and challenges:
"The Reluctant Fundamentalist":
This 2012 film, directed by Mira Nair and based on Mohsin Hamid's novel, explores the impact of the 9/11 attacks on a Pakistani man and his experiences with Americans in their aftermath. It engages with complex issues of Islam and the West, fundamentalism, and America's War on Terror. From a postcolonial perspective, the film offers a counterhistory to post-9/11 Islamophobia and contests common notions of terror, exposing the trajectories of imperialism. It serves as a reflection of how postcolonial narratives intersect with contemporary global events.
"Ghayal Once Again":
This 2016 Indian action drama film, directed by Sunny Deol, addresses the effects of globalisation. It presents a scenario where four teenagers accidentally record a murder involving a prominent figure and face consequences. The film's storyline touches on the impact of globalisation on corporate power, political influence, and the struggles of ordinary individuals. It exemplifies how postcolonial narratives can be intertwined with contemporary issues of power and corruption in a globalized world.
"Madaari":
Released in 2016, this Indian social thriller directed by Nishikant Kamat delves into the conflict between a common man and the nexus between a construction company and politicians. Through its narrative, the film highlights how economic disparities and power dynamics persist in postcolonial societies, often influenced by globalisation. It underscores the complexities of societal structures and how postcolonial studies can shed light on such issues.
"Sonali Cable":
This film, set in Mumbai, revolves around a girl who runs a local TV/internet cable service and her battle against a giant corporation, Shining Broadband, attempting to monopolise the market. The storyline addresses Privatization and corporate power in the context of a postcolonial society. It reflects how globalisation has shaped economic landscapes and prompted resistance from local entrepreneurs, illustrating the intersection of postcolonialism and contemporary economic struggles.
Article 2: CONCLUSION: THE FUTURE OF POSTCOLONIAL STUDIES
This article, titled "Conclusion: The Future of Postcolonial Studies," shifts the discussion towards the changing landscape of postcolonial studies, expanding its horizons beyond traditional boundaries. It opens by quoting Gayatri Chakravorty Spivak's assertion that the term "postcolonial" may no longer suffice in capturing the multifaceted challenges of the modern world.
The central theme of this article centres on the emerging ecological focus within postcolonial studies. Scholars are increasingly recognizing that the global crisis of climate change is a pressing concern that cannot be divorced from the discourse of postcolonialism. This shift reflects a broader understanding of postcolonial studies, extending beyond its conventional scope.
The article references Vandana Shiva's work to emphasise the connection between colonialism and environmental destruction. It underscores the role of capitalism and transnational corporations in exacerbating the environmental damage initiated during the colonial era. Additionally, the article delves into the concept of displacement, encompassing both physical losses such as land and resources and the disruption of entire ecosystems and communities.
Real-world examples, including Kerala's efforts to restrict Pepsi's groundwater usage, are cited to illustrate the intricate relationships between environmentalism, globalisation, and postcolonial concerns. This article underscores the need for a comprehensive and holistic perspective within postcolonial studies that integrates ecological considerations and acknowledges the profound impact of globalisation on traditional postcolonial narratives.
Now, let's see some examples :
"Sherni":
This movie discusses how one tiger is stuck between industrial development, reflecting the complexities of ecological concerns in postcolonial societies. The conflict between conservation and economic progress raises questions about displacement and environmental degradation. It resonates with the article's emphasis on the interplay between ecological issues and postcolonial studies.
"Chakravyuh":
This 2012 Indian political action thriller aims to be a social commentary on the issue of Naxalites. While the film's primary focus is on political conflict, it indirectly touches on environmental and displacement issues related to industrial development and conflict-ridden regions. It aligns with the article's discussions on the multifaceted challenges within postcolonial societies.
Dhruv Bhatt's "Tatvamasi":
The novel mentioned in the prompt remains aloof from the Narmada Dam agitation, highlighting the complexities of contemporary literature in addressing environmental and social issues. This reflects the article's exploration of how postcolonial studies may not always encompass every aspect of environmentalism and displacement.
"Narmada Bachao Andolan":
The reference to the Narmada_Bachao_Andolan in the article highlights the environmental activism related to the construction of the Sardar Sarovar Dam on the Narmada River. This real-world event underscores the intersection of environmentalism, displacement, and postcolonial struggles, as discussed in the article.
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